GT
Coming soon to a Golf GTi's rear mirror? A few weeks back I shot the Kia Pro Cee'd GT in the Cote d'Azur for CAR Magazine. Grab the latest issue to read what Anthony ffrench-Constant made of the all new Korean hot hatch:
With the car currently under auction at Monaco, this is one Aston Martin that James Bond won't be getting his hands on. After our photoshoot in the scrapyard, the last thing Evanta wanted me to cover was some studio style 'brochure' shots. These images would be used in the upcoming DB4 Zagato brochure and fact sheets.
Using the infinity white cove at Studio434 was a first for me, and a great chance to experiment with some different style shots. Not only that, it was a great chance to witness the impressive collection that resides in the very same building. I could have happily spent hours taking a look around the collection of fascinating cars.
The detailing and execution on this car is simply stunning. I briefly mentioned in my previous post that this DB4 GT Zagato had a customised Oxblood Red Hide interior, combining certain components from the original DB7 donor car. With it still retaining luxuries such as air-conditioning, airbags and heated seats, this Zagato is certainly a pleasant place to be. With these cars being built to order, measurements are taken for pedal and seat size to ensure a bespoke fit.
Working in this cove meant the use of constant lights, something i'm not overly familiar with (but soon grew to love) and can see myself working further in this way. CT Gels are necessary when mixing flash and constant light as there is always a big discrepancy between colour temperatures. With all of the necessary shots now captured, we turned off the house lights and started to get a little creative with the Elinchrom Quadra's day-light balanced modelling light.
Lightpainting, a technique whereby an external light source is 'painted' selectively over the car, illuminating or highlighting certain areas of your subject. Conditions were not ideal with some natural light entering the studio from nearby skylights, which hindered the shutter speeds somewhat. As such the above and below images were created from multiple (6-7) frames, having different sections of the car illuminated each time and composited later.
It creates a surreal effect and makes the car take on a whole new appearance, emphasising the curves of the car (ideally suited for the nature of this car). In my personal opinion these shots stand out above the rest and will no doubt be found printed onto metallic papers in my portfolio. Working in ways like this just goes to show how versatile one piece of equipment can be, and the Elinchrom Quadra system which I could no longer be without has come up trumps again!
Once again it was an absolute pleasure to work with Evanta on their DB4 Zagato. If you're interested in checking out the auction of their car, you can visit COYS website here. Thanks for reading and if you found this post interesting, don't forget to share it! :-)
For most, the thought of returning to work hours after landing back from holiday isn't appealing. That is, until you see whats booked in. At the London Motor Show in 1960, Aston Martin unveiled another masterpiece. Their DB4 GT had been placed in the capable hands of coachbuilders Zagato, where a smaller, lighter and more aerodynamic version was hand sculpted. With initial plans to build 25 cars, demand at the time was low and Zagato ceased production after their 20th unit. This makes the DB4 Zagato one of the most valuable sports car of all time, with opportunities to purchase one being extremely rare.
That is, until now. Built to commemorate the 50th Anniversary of the original Zagato, Evanta Motor Company have created a classic Gran Turismo fused with modern day technology. This blend, on what is often regarded by many as the most beautiful GT car of all time makes the culmination of over two years hard work time well spent.
With just five days between completion and shipping it off to Monaco for auction, we headed to a contrasting location to capture some publicity shots. Evanta's creation is simply flawless, with it's one piece body shell being hand crafted from modern day carbon fibre and kevlar materials.
There's more to this car than meets the eye, as some of you may have noticed that this DB4 Zagato in particular features widened arches and no door handles. That is because this 1960's based Aston Martin has well and truly been brought into the 21st century.
Life for this car started out as an Aston Martin DB7, before Evanta removed the heavy exterior bodywork and reduced the wheelbase from 102" to the Zagato's original 93". The exterior stays true to an original Zagato (bar a few touches here and there), but the similarities end there. Nearly every component on this car is bespoke, from the suspension and braking system to the Oxblood Red Hide interior.
Evanta certainly made this DB4 Zagato look the part, and they wanted to make sure it had the power to match. Shoehorned in under the bonnet is the V12 engine from the donor DB7. That means that this classic GT features a modern day ECU-Driven, Tiptronic fed, Aston Martin V12 Supercar engine.
Creature comforts such as air-conditioning, airbags and remote controlled door actuators are all features on this car whilst a race-spec roll cage is hidden beneath the interior. One can only imagine what it is like to drive this race-bred GT, but being the only car of its kind in existence I doubt I will ever get to find out. If the noise it makes is anything to go by, it will simply be phenomenal.
The car is currently making it's way to Monaco to be auctioned. If your interested in finding out more about this truly unique, one off creation, you can visit Evanta's website here for a photographic build diary.
With a keen passion for everything car related, I really enjoyed working with Evanta and the beautiful DB4 Zagato. Look forward to seeing what other creations roll out of their workshop in the future!
